Join us on International Women’s Day for an intimate artist-led tour of the Bermuda National Gallery by two of Bermuda’s leading femaleartists on Tuesday, March 8 from 5.30pm – 7pm.
Meredith Andrews will lead a tour of her photographic exhibition Flotsam and Jetsam: The Cost of Modern Living. The exhibition, which is produced by BNG in partnership with KBB, reminds us of the short life span of every day plastic objects and the implications of using and discarding them.
Attendees are invited to join both tours, with a break in between the two to enjoy a cocktail in the striking setting of the gallery. Tickets are $50. This includes entry to the event, a cocktail, a complimentary annual membership to the Bermuda National Gallery and a goodie bag from Cassine.
Thedoors to the gallery are currently closed as we install two new exhibitions. BNG will re-open to the public on Saturday, November 13. We are planning an exhibition opening for BNG members on Friday, November 12. Details will be shared next week. Keep an eye on your inbox!
The Bermuda Biennial: A Retrospective, which opens in the Watlington Room,presents a selection of artworks produced for theBermuda Biennial which have been collected by the Bermuda National Gallery over the last three decades, providing an insight into the evolution of contemporary art in Bermuda.
In reflection of the diversity of both materials and ideas for which the Biennial is known, there will be a wide range of media on display. As Dr Daniel Rosenfeld, co-curator of the 1998 Bermuda Biennial and former Academy Professor of the Pennsylvania Academy of Fine Arts, wrote in the exhibition catalogue that year, a Biennial is unique in its approach as “a type of exhibition which questions our assumptions about the nature and limits of artistic expression.”
Flotsam and Jetsam, a photographic exhibition by Meredith Andrews, opens in the BNG Project Space. Produced by Bermuda National Gallery in collaboration with Keep Bermuda Beautiful (KBB) to celebrate the launch of a public consultation process on the proposed ban of single use plastics by the Bermuda government, the exhibition is a stark reminder of the cost of modern living.
In 2020 KBB cleared 22,250 pounds of litter and illegally dumped waste from locations across Bermuda. Here, Meredith Andrews turns our attention to intrinsic everyday items – a broken hair comb, a lost football and forgotten toys – reminding us of the short life span of these plastic objects and the implications of using them and discarding them.
It is estimated that one third of all plastic waste ends up in nature where it will never fully break down. These striking collages, each one made up of items that the artist has collected along Bermuda’s shoreline, create beauty out of chaos and bring to the forefront the ramifications of the 21st century’s throwaway culture.
Contemporary photographer Meredith Andrews, who has exhibited in 8 Bermuda Biennials and whose work resides in the BNG’s permanent collection, explores the unexpected reality in which we find ourselves in her new body of work: Front Step Portraits.
The striking images – which were taken before the current lockdown restrictions were put in place – capture local residents as they shelter in place and provide an intimate look at life in Bermuda amid the COVID-19 pandemic.
We sat down with Meredith to discuss documenting life on the island in the age of the coronavirus and why we should all see social distancing measures as an act of generosity and care for the most vulnerable in our community.
BNG: What gave you the idea for the Front Step Portraits?
MA: Before the lockdown was in effect a chance meeting with a friend and fellow photographer, Amy Harvey, resulted in her mentioning a similar project that American photographers King & Field were working on. I was already considering creating a body of work documenting life in Bermuda in the age of Covid-19, but it was her tip that gave me the final direction. Most of my portrait work is created as a series or collection, so the concept of Front Step Portraits suited my practice perfectly.
BNG: When did you start shooting the series?
MA: I started shooting on Saturday March 28th. The first session was done in conjunction with a fundraising, “virtual 5K” organised by a friend. I made my way on foot to Ord Road from my home. The first two portraits I took were of a healthcare worker and an employee of Lindos grocery store who were both exhausted having just finished long shifts. This was a motivational way to begin the project.
BNG: Where in Bermuda did you take the portraits?
MA: All of the portraits have been taken in my neighbourhood and now given the lockdown restrictions they will be within half a mile of my house. People have responded positively. I’ve only had one subject refuse to have their portrait taken and the response online, where I shared the images, has been nothing but supportive.
BNG: How do you think that Bermudians have responded to social distancing measures and now the lockdown restrictions?
MA: I for one am very proud of Bermuda. We have taken the inconvenience of social distancing and now lockdown in our stride. I feels as if I am surrounded with examples of community support, generosity and care for the island’s most vulnerable. The hard work and sacrifice of the island’s essential workers is commendable and in my opinion I think Premier David Burt and the Government are doing a great job at managing and communicating with the public about this unprecedented challenge the world and Bermuda is facing.
BNG: How has the enforced quarantine affected your artistic practice?
MA: The quarantine has actually been good for me creatively and my general artistic practice. Projects that often get pushed to the side in favour of commercial shoots are now at the forefront of my day. Having more time to read and research projects is proving beneficial. Furthermore, the internet is a treasure trove of inspirational content at the moment. Whether it be a lecture on painting from David Hockney, a dynamic Instagram feed or a How To video on YouTube, my practice has been deeply enriched since the quarantine began.